Tags
digital marketing, digital music marketing, facebook, marketing, music, music industry, music marketing, pledge music, popular music, pr, social networking, twitter
Over the past year, through my internship with Nourishment Digital Communications, the main project that I have been involved with is Karen David’s digital music marketing and promotion. The project has ended now, but my first-hand experience has taught me so much and has been invaluable in getting to grips with working in the music industry. Throughout the project I have been given the opportunity to research and employ of-the-moment digital music marketing techniques and been directly involved with emerging music industry tools such as Pledge music. (For more on Pledge see my blog post from April 2010).
At the beginning of my internship, Karen was about to release the single Magic Carpet Ride and my role was to get to grips with Twitter, whilst promoting her latest single. During this time it was very difficult to get much conversation and fan interaction going as the single was not preceding an album and Karen was involved with other acting commitments. But towards the end of last year, Karen began filming a new role in BBC One’s Waterloo Road, and this association became invaluable, as it provided a great talking point whilst providing the potential to capture a new fan-base. But due to Karen’s schedule it was difficult for her to tweet regularly, I worked to start conversations with Waterloo Road’s fan-pages on the site, making them aware of Karen and her up-and-coming role. Through these conversations I managed create a community with a few of her Twitter followers in the guise of ‘TeamKD’, which then soon came to be accepted and supported.
The beginning of this year saw the lead up to the release of Karen’s latest single Hypnotize, which initially included the promotion of the Pledge music campaign which was raising funds for the marketing of the release. It became key to make fans and followers aware of the campaign and want to be involved, which was primarily achieved through making fans aware of the different ‘gifts’ that were available to them. Here the Waterloo Road association was invaluable, as there were a number of trips to the set up for grabs, and this supported Karen’s increase in followers. Although I was still mainly working on Karen’s twitter campaign, I became to be more involved with all of her other social media pages during this period, generally monitoring and updating their presentation. Upon release the desi-mix of Hypnotize reached number 26 on the Asian Download charts (w/c 30/5).
Key points that I’ve learnt:
• The importance of creating a community through conversations on Twitter.
• The importance of giving back to fans, especially on the lead up to a single release when you are constantly asking fans to vote, request and buy the new single.
• On Twitter make use of followfriday, particularly when you are getting close to a landmark follower number, the fans will retweet because they want to be involved in making something happen.
The whole experience has been incredibly insightful and my learning will remain with me and be built upon within my future projects.


